The Lato font is accessible in 9 weights, out of which every weight carries an Italic version. The main idea behind designing this typeface was to come up with a design that looks Transparent whenever used in a design body. You can surely give Lato Font a try in your next projects and websites without getting disappointed. The font family keeps releasing new versions with additional font weights and versions, due to which it is excessively used everywhere for all the correct reasons.
In 2015, the Lato family released its new version designed by the same designer for a Polish Bank. The font originated under an open-source license, so it is accessible worldwide, due to which more and more people get their hands on this font. Every day it crosses billions of views and is in the list of 3rd highly-used Google fonts. For anyone who is experiencing complications, please select the Extended Latin (latin-ext) subset to render all European languages appropriately.In 2018 it was estimated that the font had been featured on more than 9 million websites that were the font’s huge success. Learn more at Update, August 2014: The previous version of Lato incorporated Extended Latin characters within the Latin subset. With all the feeling in the Summer season,” says Lukasz. The semi-rounded information on the letters give Lato a feeling of warmth, even though the powerful structure provides stability and seriousness. At the identical time, he made a sleek sans serif appear, which tends to make evident the truth that Lato was developed in 2010 – despite the fact that it does not follow any present trend. He utilised classical proportions (particularly visible within the uppercase) to offer the letterforms familiar harmony and elegance. He wanted to make a typeface that would appear very “transparent” when utilized in body text but would display some original traits when used in bigger sizes.
When functioning on Lato, Lukasz attempted to carefully balance some potentially conflicting priorities. Initially, the family was conceived as a set of corporate fonts for a big client – who in the long run decided to go in different stylistic direction, so the family became out there to get a public release. Within the final ten or so years, for the duration of which Lukasz has been designing variety, most of his projects have been rooted in a particular design task that he necessary to resolve.